Copperhill Books

Lt. Eve Dallas, a top homicide cop for the New York Police and Security Department (the law enforcement agency for a mid 21st-century New York City), faces one of the more challenging cases of her career in bestseller Robb’s exciting 31st in death novel (after Kindred in Death). When someone cuts off the head of Bart Minnock, the genius founder of the computer gaming company U-Play, apparently while he was role-playing against an imaginary opponent in a prototype of a fantasy adventure that could rock the industry, Eve investigates. Security logs show no one entered Minnock’s building around the time of his murder, presenting a futuristic variation on the classic locked-room mystery. Aided by her husband, Roarke, who was a potential business rival of the victim, Dallas focuses on who would benefit from Minnock’s death. Robb is the pseudonym of romantic suspense author Nora Roberts.

Perennial bestseller Picoult (Handle with Care) has a rough time in this Picoult-esque blend of medical and courtroom drama that lacks her usual storytelling finesse. Eighteen-year old Jacob Hunt has Asperger’s syndrome, and his devoted single mother, Emma, has built their family’s life around Jacob’s needs, sacrificing her career to act as his caregiver and all but ignoring a younger son, Theo. But when Jacob is accused of murder, that carefully crafted life comes apart, and all of the hallmarks of Jacob’s diagnosis begin to make him look guilty. Emma hires a young attorney whose attachment to Jacob brings him close to the family as he struggles to mount a defense for Jacob, whose inability to read social cues makes him less than an ideal client. While Picoult’s research is impeccable and she deals intelligently with charged questions about autism and Asperger’s, the whodunit is stretched sitcom-thin and handled poorly, with characters withholding information from the reader throughout. Picoult’s writing, line by line, is as smooth as ever, and she does a great job of getting into Jacob’s head, but the wobbly plotting is a massive detriment.

Boston-area novelist Lehane has written a terrific suspense novel, an impressive follow-up to 2001’s Mystic River. Shutter Island is off Massachusetts’s coast, an army facility turned hospital for the criminally insane. When a beautiful-and certifiably crazy-patient escapes, U.S. Marshal Teddy Daniels and his partner, Chuck Aule, are called in to investigate. Embroiled in uncertainties and mystery, the two soon learn there’s much more at stake than simply finding one missing woman. Stechschulte gives a stirring performance. His portrayal of Daniels is convincing, and he reads the role with equal parts poignancy and toughness. Stechschulte is particularly adept at reading dialogue. For example, one stormy night at the hospital, Teddy and Chuck are playing cards with two of the hospital’s workers. The quartet banters, calling each other’s bluffs and having a grand old time, yet tones of racism underlie the conversation. Stechschulte handles the dialogue well, distinguishing between each voice and varying the pace between rapid back-and-forth and thoughtful, drawn out remarks.

Set in 1907 Wisconsin, Goolrick’s fiction debut (after a memoir, The End of the World as We Know It) gets off to a slow, stylized start, but eventually generates some real suspense. When Catherine Land, who’s survived a traumatic early life by using her wits and sexuality as weapons, happens on a newspaper ad from a well-to-do businessman in need of a “reliable wife,” she invents a plan to benefit from his riches and his need. Her new husband, Ralph Truitt, discovers she’s deceived him the moment she arrives in his remote hometown. Driven by a complex mix of emotions and simple animal attraction, he marries her anyway. After the wedding, Catherine helps Ralph search for his estranged son and, despite growing misgivings, begins to poison him with small doses of arsenic. Ralph sickens but doesn’t die, and their story unfolds in ways neither they nor the reader expect. This darkly nuanced psychological tale builds to a strong and satisfying close.

Best case: survival

The son of one of New York’s wealthiest families is snatched off the street and held hostage. His parents can’t save him, because this kidnapper isn’t demanding money. Instead, he quizzes his prisoner on the price others pay for his life of luxury. In this exam, wrong answers are fatal.

Worst case: death

Detective Michael Bennett leads the investigation. With ten kids of his own, he can’t begin to understand what could lead someone to target anyone’s children. As another student disappears, one powerful family after another uses their leverage and connections to turn the heat up on the mayor, the press–anyone who will listen–to stop this killer. Their reach extends all the way to the FBI, who send their top Abduction Specialist, Agent Emily Parker. Bennett’s life–and love life–suddenly get even more complicated.

This case: Detective Michael Bennett is on it

Before Bennett has a chance to protest the FBI’s intrusion on his case, the mastermind changes his routine. His plan leads up to the most devastating demonstration yet–one that could bring cataclysmic devastation to every inch of New York. From the shocking first page to the last exhilarating scene, Worst Caseis a non-stop thriller from “America’s #1 storyteller” (Forbes).

Lisbeth Salander—the heart of Larsson’s two previous novels—lies in critical condition, a bullet wound to her head, in the intensive care unit of a Swedish city hospital. She’s fighting for her life in more ways than one: if and when she recovers, she’ll be taken back to Stockholm to stand trial for three murders. With the help of her friend, journalist Mikael Blomkvist, she will not only have to prove her innocence, but also identify and denounce those in authority who have allowed the vulnerable, like herself, to suffer abuse and violence. And, on her own, she will plot revenge—against the man who tried to kill her, and the corrupt government institutions that very nearly destroyed her life.

Once upon a time, she was a victim. Now Salander is fighting back.

After enduring torture and the loss of loved ones during the brief but deadly Faery War, Sookie Stackhouse is hurt and she’s angry. Just about the only bright spot in her life is the love she thinks she feels for vampire Eric Northman. But he’s under scrutiny by the new Vampire King because of their relationship. And as the political implications of the Shifters coming out are beginning to be felt, Sookie’s connection to the Shreveport pack draws her into the debate. Worst of all, though the door to Faery has been closed, there are still some Fae on the human side-and one of them is angry at Sookie. Very, very angry…